With his thick, engaging sound and elegant romanticism, it
only made sense for Ike Quebec to try his hand at the bossa nova boom Stan Getz
kick-started in 1962, and that's what he did with Soul Samba. However, Quebec
makes the session much more than mere bandwagon-jumping. He takes some chances
with the repertoire and consciously adds a heavy blues inflection that makes
Soul Samba one of the more unique interpretations of the bossa nova style. It's
also one of the more sensuous, thanks in part to the combination of Quebec's
natural tendencies and the soft, light style itself, but even more so with the
extra bit of meat added via the blues. The music is warm and danceable, yet
with a late-evening hush that's more suggestive of winding down and getting
cozy with someone. Quebec's choices of material are never obvious -- the
Brazilian selections do not include any Jobim standards, for one thing, and
both Quebec and guitarist Kenny Burrell (absolutely stellar in support)
contribute original material that ranks among the album's best performances
(particularly Quebec's "Blue Samba" and Burrell's "Loie").
What's more, Quebec adapts some unlikely sources -- the traditional standard
"Liebestraum" and the Dvorak theme "Goin' Home" -- into
surprisingly effective samba pieces. The whole project is thoughtfully
conceived and beautifully executed, treating bossa nova as a new means of
personal expression, not just a fad to be cashed in on. Sadly, Soul Samba was
Quebec's final album, but at least his career ended on a high note. Review by Steve Huey
http://www.allmusic.com/album/soul-samba-mw0000073875
http://www.allmusic.com/album/soul-samba-mw0000073875
6 comments:
http://netkups.com/?d=1558d11667fda
Thanks a lot !
THANK YOU :)
A Big Thank you.
Re-up?
Aw crap! I know that I'm 2 years late to the party, but is there a chance that you can upload this again? The hosting site says that it's been deleted due to inactivity :( Thanks!
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