On
the night of November 12 and into the morning of November 13, 1956, a quartet
led by pianist Hampton Hawes recorded enough material to fill three
long-playing phonograph record albums. This studio session contained many
elements associated with a live gig: the work took place during regular
nightclub performing hours, the improvisations were mostly extended, and there
were no alternate takes. A remarkable freshness and spontaneity prevailed
throughout the session. Although controversy continues regarding the original
sequence of titles, Duke Jordan's "Jordu" and Dizzy
Gillespie's "Groovin' High" are superb openers for this first of
three volumes. In addition to an invigorating run down "Broadway," Hawes improvised
two original themes: "Takin' Care" and a bluesy walk entitled
"Hampton's Pulpit" that stretched out for more than 11 minutes,
making it the longest track of the entire all-night session. Collaborating with
the pianist on this historic date were guitarist Jim Hall, bassist Red
Mitchell, and drummer Eldridge "Bruz" Freeman. The interplay
between these four men is marvellous, particularly when heard with headphones
or through a sound system allowing for a full appreciation of the stereophonic
balance achieved by the recording engineers.
Review
by Arwulf Arwulf
http://www.allmusic.com/album/all-night-session-vol-1-r154501/review
1. Jordu
2. Groovin' High
3. Takin' Care
4. Broadway
5. Hampton's Pulpit
Hampton Hawes (p) Jim Hall (g) Red Mitchell (b) Eldridge Freeman (d)
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