Sonny Clark - Dial "S" for Sonny (1957)

Dial "S" for Sonny, Sonny Clark's first session for Blue Note Records and his first session as a leader, is a terrific set of laidback bop, highlighted by Clark's liquid, swinging solos. Clark leads a first-rate group -- Art Farmer (trumpet), Curtis Fuller (trombone), Hank Mobley (tenor sax), Wilbur Ware (bass), Louis Hayes (drums) -- through four originals and two standards, balancing the selections between swinging bop and reflective ballads. There are traces of Bud Powell in Clark's style, but he's beginning to come into his own, developing a style that's alternately edgy and charmingly relaxed. Mobley, Farmer and Fuller have their moments, but Clark steals the show in this set of fine, straight-ahead bop.

by Stephen Thomas Erlewine

http://www.allmusic.com/album/dial-quot-s-quot-for-sonny-mw0000267905

Dave Pike - Manhattan Latin: The Sensuous Rhythms of Spanish Harlem (1964)

Manhattan Latin captures Dave Pike in flux between the straight-ahead approach of his earlier sessions and the psychedelic pop-jazz of his efforts for MPS: a playful yet methodical immersion into pure, sunkissed groove, its artful assimilation of global rhythms and textures anticipates the direction of Pike's most memorable work. Recorded with an impressive lineup including flautist Hubert Laws, drummer Willie Bobo and then-unknown pianist Chick Corea, the album largely eschews familiar Latin standards in favor of Pike originals. What's impressive is that the end result seems completely organic, living up to the album's title in terms of both sophistication and flavor. Phenomenal cover, too. 

By Jason Ankeny
http://www.allmusic.com/album/manhattan-latin-mw0000738396

Bill Smith Quartet - Folk Jazz (1961)

A record that could only have been made in the late '50s, 1959's Folk Jazz is a meeting of the two great collegiate crazes of the period, post-bebop modern jazz and traditional folk music. Clarinetist Bill Smith and a low-key piano-less trio ? Jim Hall on guitar, Monty Budwig on bass and the great Shelly Manne on drums ? take 10 songs from the folk tradition, strip them down to the bare essentials of melody and chord progressions and turn them into a Kind of Blue-like experiment in cool-toned modal jazz. Familiar standards like "Black Is the Color of My True Love's Hair" (which opens with an extended unaccompanied solo by Smith that's a marvel of economy) are presented in entirely new and fresh settings. Perhaps the best of the lot is an extended meditation on the spiritual "Go Down Moses" that turns the song from a gospel shout to an intimate whisper. The 2003 CD reissue adds two tracks, alternate takes of "Reuben, Reuben" and "Nobody Knows the Trouble I've Seen."
By Stewart Mason
http://www.allmusic.com/album/folk-jazz-mw0000027934

Cal Tjader & Eddie Palmieri - Bamboleate (1967)

The second album pairing Palmieri and Tjader, Bamboleate moves beyond El Sonido Nuevo into the respective territories of each artist. "Bamboleate" is the Latin cooker ones expects from Palmieri but did not find on the more subdued El Sonido Nuevo. "Semejanza" is an equally affecting jazz lilt led by Tjader. Framed by a melody that could have come straight off the Vince Guaraldi Trio's Charlie Brown Christmas album, it has an equally indelible, locomotive rhythm. Tjader's samba, "Samba De Los Suenho," is a welcome departure from the relative rigidity of El Sonido Nuevo. Also vital are the vocal tracks (Palmieri's); the blatant channel-switching in "Guajira Candela" is an abuse of stereo separation, however. (Use a second voice or instrument for that.) "Pancho's Seis Por Ocho" is typical of the deep, mid-tempo, Afro rhythm of Bamboleate and El Sonido Nuevo. Trombonist Mark Weinstein contributes the closing "Ven Y Recibelo (Come an' Get It)," a mod/soul cooker on a par with the best of Verve all-stars Tjader, Ogerman, Winding, and Schifrin. Finally, the album was reissued in 1977 as Tico LPS-88806 and distributed by Fania; the reissue at least features illustrations of Tjader and Palmieri by Jose Vargas.

Review - Tony Wilds

http://www.allmusic.com/album/bambol%C3%A9ate-mw0000273328

Art Farmer & Benny Golson - Meet the Jazztet (1960)

Although this CD has the same program as the original LP, it gets the highest rating because it is a hard bop classic. Not only does it include superior solos from trumpeter Art Farmer, trombonist Curtis Fuller, tenor saxophonist Benny Golson, and pianist McCoy Tyner (who was making his recording debut) along with fine backup from bassist Addison Farmer and drummer Lex Humphries, but it features the writing of Golson. Highlights include the original version of "Killer Joe" along with early renditions of "I Remember Clifford" and "Blues March." This was Fuller and Tyner's only recording with the original Jazztet, and all ten selections (which also include "Serenata," "It Ain't Necessarily So," "It's All Right With Me," and "Easy Living") are quite memorable.

Scott Yanow

http://www.allmusic.com/album/meet-the-jazztet-r138558

1. Serenata

2. It Ain't Necessarely So

3, Avalon

4. I Remember Clifford

5. Blues March

6. It's All Right With Me

7. Park Avenue Petite

8. Mox Nix

9. Easy Living

10. Killer Joe

Art Farmer (tp), Benny Golson (ts), Curtis Fuller (tb), McCoy Tyner (p), 

Addison Farmer (b), Lex Humphries (d)

This Here Is Bobby Timmons - Bobby Timmons Trio (1960)

1. This Here

2. Moanin'

3. Lush Life

4. The Party's Over

5. Prelude to A Kiss

6. Dat Dare

7. My Funny Valentine

8. Come Rain Or Come Shine

9. Joy Ride

Bobby Timmons (p), Sam Jones (b) Jimmy Cobb (d)

Bennie Green Mosaic Select Complete Blue Note Recordings 1958 - 1962

Trombonist Bennie Green's Blue Note albums were almost completely overlooked until this Mosaic Select compilation appeared in 2003. The first session, originally issued as Back on the Scene, features Charlie Rouse joining Green in the front line. Green's up-tempo "Bennie Plays the Blues" is the best blowing vehicle, while he and Rouse both contribute lyrical solos in Melba Liston's "Melba's Mood." Pianist Gildo Mahones wrote three of the six tracks recorded for Walkin' & Talkin', with Eddy Williams taking Rouse's place. The overall session isn't up to Green's Blue Note debut, but his snappy blues "Walkin' and Talkin'" contains some of his hottest playing within this boxed set. Williams is also on hand for the ten selections first released in Japan as The 45 Sessions with pianist Sonny Clark, bassist Paul Chambers, and drummer Jerry Segal. The solos are consistently hot and the quintet never wraps things in a perfunctory manner as one would expect with recordings made for jukeboxes. All of the instrumentals rate high praise, especially the loping "On the Street Where You Live" and the leader's "Ain't Nothin' But the Blues." The addition of singer Babs Gonzales on the last three cuts mar some otherwise excellent performances. Tenor saxophonists Gene Ammons and Billy Root are on hand for the session which produced Soul Stirrin'. While the material on this date is uneven, Green's interpretation of "That's All" is very satisfying. Unfortunately, Gonzales appears for two more numbers. The last five songs come from a date led by tenor saxophonist Ike Quebec (eventually issued as Congo Lament), adding Stanley Turrentine, Milt Hinton, and Art Blakey to join Green and Clark. Green's exotic "Congo Lament" and Turrentine's upbeat "Cue's Pill" are impressive.
Review: Ken Dryden
http://www.allmusic.com/album/mosaic-select-bennie-green-r641454 

Disc One

1. I Love You (A)  6:02 (Cole Porter)

2. Melba’s Mood (A)  5:33 (Melba Liston)

3. Just Friends (A)  6:59 (S. Lewis-J. Klenner)

4. You’re Mine You (A)  5:15 (J. Green-E. Heyman)

5. Bennie Plays The Blues (A)  8:24 (Bennie Green)

6. Green Street (A)  5:08 (Melba Liston)

7. The Shouter (D)  4:57 (Gildo Mahones)

8. Green Leaves (D)  5:43 (Gildo Mahones)

9. This Love Of Mine (D)  6:45 (Parker-Sanicola-Sinatra)

10. Walkin’ And Talkin’ (D)  8:57 (Bennie Green)

11. All I Do Is Dream Of You (D)  5:32 (A. Freed-N.H. Brown)

12. Hoppin’ Johns (D)  5:29 (Gildo Mahones)

Disc Two

1. It’s Groovy (C)  3:41 (unknown)

2. On The Street Where You Live (C)  5:50 (A. Lerner-F. Loewe)

3. Can’t We Be Friends (C)  5:32 (P.James-K.Swift)

4. Ain’t Nothin’ But The Blues (C)  5:13 (Bennie Green)

5. Bye Bye Blackbird (C)  5:24 (R. Henderson-M. Dixon)

6. Minor Revelation (C)  5:17 (Harold Ousley)

7. Why Do I Love You (C)  5:58 (J. Kern-O. Hammerstein)

8. Encore (stereo LP take) (C)  4:16 (Babs Gonzales)

9. Encore (mono 45 take) (C)  4:29 (Babs Gonzales)

10. Soul Stirrin' (mono take) (B)  6:44 (Babs Gonzales)

Disc Three

1. Soul Stirrin’ (B)  6:49 (Babs Gonzales)

2. We Wanna Cook (B)  6:38 (Bennie Green)

3. That’s All (B)  6:25 (B. Haymes-A. Brandt)

4. Lullaby Of The Doomed (B)  6:00 (Babs Gonzales)

5. B.G. Mambo (B)  8:15 (Bennie Green)

6. Black Pearl (B)  5:45 (Billy Graham)

7. See See Rider (E)  8:59 (Ma Rainey)

8. Congo Lament (E)  6:50 (Bennie Green)

9. Que's Pill (E)  5:37 (Stanley Turrrentine)

10. B.G.'s Groove Two (E)  6:12 (Bennie Green)

11. I. Q. Shuffle (E)  9:43  (Ike Quebec)

Bennie Green, Charlie Rouse, Gildo Mahones, Eddie Williams, Sonny Clark, Paul Chambers, Jerry Segal, Babs Gonzales, Gene Ammons, Billy Root, Ike Quebec, Stanley Turrentine, Milt Hinton, Art Blakey.

Ike Quebec The Complete Blue Note 45 Sessions

During his comeback years (1959-62) after a decade mostly off the scene, tenor saxophonist Ike Quebec recorded frequently for Blue Note. He started off with a session aimed at the 45 jukebox market and, although he eventually made a few full-length albums for the label, Quebec cut four 45 dates over a two-and-a-half-year period. This double-disc set has all of the jukebox sessions. Most of the 26 selections clock in between four and seven minutes and have long melody statements in addition to concise and soulful solos. Quebec, who was in consistently prime form during his last period, is joined by groups featuring either Skeeter Best or Willie Jones on guitar and Edwin Swanston, Sir Charles Thompson, or Earl Van Dyke on organ. Fun, loose and highly enjoyable music. 

Review by Scott Yanow

http://www.allmusic.com/album/complete-blue-note-45-sessions-r145969

Caj Tjader & Eddie Palmieri - El Sonido Nuevo (1966)

This Verve CD reissues the popular collaboration between vibraphonist Cal Tjader and pianist Eddie Palmieri (who provided the arrangements) titled El Sonido Nuevo: The New Soul Sound, along with six other songs taken from a pair of Tjader's other Verve albums. Despite the claims of greatness expressed in the liners ("a landmark in the history of Latin jazz"), much of the music is actually quite lightweight although enjoyable enough, and the easy listening melodies and accessible rhythms hold on to one's interest. Despite the changing personnel, Tjader is generally the lead voice, and he is in fine form even if the overall results are not all that memorable or unique.
Review - Scott Yanow
http://www.allmusic.com/album/el-sonido-nuevo-the-new-soul-sound-r148939

1. Los Jibaros

2. Guajira Azul

3. Ritmo Uni

4. Picadillo

5. Modesty (Theme from Modesty Blaise)

6. Unidos

7. On A Clear Day (You Can See Forever)

8. El Sonido Nuevo

9. Fuji

10. Black Orchid

11. Los Bandidos

12. Poinciana

13. Yellow Days

14. Along Came Mary 

Lonnie Liston Smith Cosmic Funk (1974)

A real gem from Lonnie Liston Smith's early years in the studio - and a record that's perhaps a bit more "cosmic" than it is "funk" – but that's why we like it so much! The session has Lonnie stretching out a bit more than usual – borrowing some of the righteousness from his years with Pharoah Sanders, and tripping out on tracks that revel in their own spacey brilliance. Lonnie plays both acoustic and electric piano on the record – stretching out on some Impulse-influenced grooves that feature some great soprano sax and flute from the lesser-known George Barron. Titles include the soulful "Beautiful Woman", the ethereal "Sais", and the heavier groover "Cosmic Funk" – plus great versions of Wayne Shorter's "Footprints" and John Coltrane's "Naima"

www.dustygroove.com

1. Cosmic Funk 

2. Footprints

3. Beautiful Woman

4. Sais (Egypt)

5. Peaceful One

6. Naima